Tag Archives: film speed

Pentax KP vs. Nikon D500: white balance

16 Mar

Continuing my series on the Pentax KP, and possibly starting a sub-series comparing the Nikon D500 against it, today my attention was drawn to ephotozine’s Pentax KP sample photos, particularly the colour section:


Pentax KP (top) vs. Nikon D500 – ISO 200 (left) to ISO 819,200.

Particularly the ISO 819,200 sample from Nikon seems to be soaked in yellow, although the ISO 409,600 sample also seems affected. Here’s the 819,200 comparison, with two attempts to fix the Nikon’s white balance in post:

Screen Shot 2017-03-16 at 00.21.40

Pentax KP (left) vs. Nikon D500 OOC, Nikon D500 with my own special WB procedure, and finally Nikon D500 after “color->auto->white balance” from Gimp

If “fluorescent” white balance is used in the Pentax, it gets even further ahead of the Nikon – an unfair comparison perhaps, but it’s only a single step of configuration and straight out of camera:

Screen Shot 2017-03-16 at 00.05.09.png

With even more prodding, I eventually got the Nikon image to behave. I managed to keep noise levels on par, but keep in mind that it’s a fair amount of work, and you really have to know what you’re doing in Photoshop or Gimp to get this kind of result – remember the one button fix is the image on the far right, and it improves things, but doesn’t really “fix” the problem. Cutting to the chase, here’s that final result:

Screen Shot 2017-03-16 at 00.48.24

Even using the Pentax’ default white balance, it does impressively well, keeping in mind we had to massage the Nikon image for several minutes to get it into decent shape:

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The bottom line is that in terms of colour, the Pentax produces reasonable JPEG output even at very high ISO, while the Nikon D500 takes considerable time in post-processing to achieve a competitive result. The Nikon is not usable as a JPEG camera at this high ISO and I would instead recommend, if using the D500 at all, to shoot raw and use a raw converter, in which case it’s the raw converter’s job to give you a reasonable-looking image (this will be the next part in this series, if time allows).

Pentax KP better at high ISO than K-70, especially after DxO PRIME treatment

11 Feb

Imaging Resource have published RAW samples from the Pentax KP. Since I was able to cheat DxO 11 into processing an ISO 102,400 file, I thought I would post the results of performing PRIME noise reduction on a pair of these at ISO 102,400 – one from the KP and one from a K-70 – click on the image for a 1:1 view of the striking difference (KP on left, K-70 on right):


Compare with the out-of-camera JPEG result (KP on left, default in-camera noise reduction on both):


The out-of-camera JPEGs retain a little more detail, along with some more noise – probably a matter of personal taste, but I would go with processed raws here.

The Pentax KP features saturation compensation, to stop colours looking washed out at higher sensitivities. The in-camera processing deals with this gracefully, so that no luminance detail is lost (KP on left, K-70 on right, both with default in-camera noise reduction):


The current version of DxO OpticsPro does not include a Pentax KP profile, and some loss of luminance detail could be seen in the PRIME processed image. As explained by a commenter over on Imaging Resource, this may be due to the KP using a different white point in its raw output compared to previous Pentax cameras. That being the case, it would be true to say that this will not be an issue once the DxO software is updated to support the Pentax KP.

Pentax cameras offer a lot of configurability of the output, and it’s therefore likely that the saturation compensation can be turned off or on as needed.

Overall, one can’t help but conclude that the KP is a huge advance over the K-70, a remarkable camera in its own right. And after initial reserve over the design of the camera, many now seem to be swayed by its rich features, performance and customisability.

Feel free to head over to Imaging Resource for more samples, or take a look at a comparison of the K-70 and Nikon D500 at ISO 102,400, or the post-processed ISO 800k result from a night-time Pentax KP out-of-camera JPEG. Alternatively, read my overall thoughts on the Pentax KP.